Gereja Katolik pasca Konsili Vatikan II memang rentan/ rapuh menghadapi serangan arus modernisme, arus yang mati-matian ditentang oleh almarhum St. Paus Pius X. Musik liturgi adalah bagian dari kehidupan Gereja yang paling mudah diserbu unsur-unsur modernisme yang merusak. Kerusakannya demikian parah, sehingga menimbulkan pendangkalan spiritual.
Paus Benedictus XVI nampaknya bertindak untuk segera me "Restorasi" musik liturgi, setelah beliau dengan tegas memulai restorasi liturgi secara menyeluruh.
Berikut berita penting yang mesti disebar-luaskan:
The Daily Telegraph reports, "The Pope is considering a dramatic overhaul of the Vatican in order to force a return to traditional sacred music."
Here's the story: Pope to purge the Vatican of modern music
Here's an extended quote:
After reintroducing the Latin Tridentine Mass, the Pope wants to widen the use of Gregorian chant and baroque sacred music. In an address to the bishops and priests of St Peter's Basilica, he said that there needed to be "continuity with tradition" in their prayers and music.
He referred pointedly to "the time of St Gregory the Great", the pope who gave his name to Gregorian chant. Gregorian chant has been reinstituted as the primary form of singing by the new choir director of St Peter's, Father Pierre Paul.He has also broken with the tradition set up by John Paul II of having a rotating choir, drawn from churches all over the world, to sing Mass in St Peter's.
The Pope has recently replaced the director of pontifical liturgical celebrations, Archbishop Piero Marini, with a man closer to his heart, Mgr Guido Marini. It is now thought he may replace the head of the Sistine Chapel choir, Giuseppe Liberto.
The International Church Music Review recently criticised the choir, saying: "The singers wanted to overshout each other, they were frequently out of tune, the sound uneven, the conducting without any artistic power, the organ and organ playing like in a second-rank country parish church."
Mgr Valentin Miserachs Grau, the director of the Pontifical Institute of Sacred Music, which trains church musicians, said that there had been serious "deviations" in the performance of sacred music. "How far we are from the true spirit of sacred music. How can we stand it that such a wave of inconsistent, arrogant and ridiculous profanities have so easily gained a stamp of approval in our celebrations?" he said. He added that a pontifical office could correct the abuses, and would be "opportune". He said: "Due to general ignorance, especially in sectors of the clergy, there exists music which is devoid of sanctity, true art and universality."
Mgr Grau said that Gregorian chant was the "cardinal point" of liturgical music and that traditional music "should become again the living soul of the assembly". The Pope favoured the idea of a watchdog for church music when he was the cardinal in charge of safeguarding Catholic doctrine
Here's the story: Pope to purge the Vatican of modern music
Here's an extended quote:
After reintroducing the Latin Tridentine Mass, the Pope wants to widen the use of Gregorian chant and baroque sacred music. In an address to the bishops and priests of St Peter's Basilica, he said that there needed to be "continuity with tradition" in their prayers and music.
He referred pointedly to "the time of St Gregory the Great", the pope who gave his name to Gregorian chant. Gregorian chant has been reinstituted as the primary form of singing by the new choir director of St Peter's, Father Pierre Paul.He has also broken with the tradition set up by John Paul II of having a rotating choir, drawn from churches all over the world, to sing Mass in St Peter's.
The Pope has recently replaced the director of pontifical liturgical celebrations, Archbishop Piero Marini, with a man closer to his heart, Mgr Guido Marini. It is now thought he may replace the head of the Sistine Chapel choir, Giuseppe Liberto.
The International Church Music Review recently criticised the choir, saying: "The singers wanted to overshout each other, they were frequently out of tune, the sound uneven, the conducting without any artistic power, the organ and organ playing like in a second-rank country parish church."
Mgr Valentin Miserachs Grau, the director of the Pontifical Institute of Sacred Music, which trains church musicians, said that there had been serious "deviations" in the performance of sacred music. "How far we are from the true spirit of sacred music. How can we stand it that such a wave of inconsistent, arrogant and ridiculous profanities have so easily gained a stamp of approval in our celebrations?" he said. He added that a pontifical office could correct the abuses, and would be "opportune". He said: "Due to general ignorance, especially in sectors of the clergy, there exists music which is devoid of sanctity, true art and universality."
Mgr Grau said that Gregorian chant was the "cardinal point" of liturgical music and that traditional music "should become again the living soul of the assembly". The Pope favoured the idea of a watchdog for church music when he was the cardinal in charge of safeguarding Catholic doctrine
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